United States / Ireland

Studio: FX
Showrunner: Joshua Zetumer

Say Nothing for FX features 210 VFX shots, including complex historical set extensions, a CG block of flats, numerous CG elements, and FX explosions. It was a fantastic collaboration with VFX Supervisor Giles Harding and Showrunner Joshua Zetumer, successfully completed in 2024.

Spanning four tumultuous decades during The Troubles in Northern Ireland.

The post Say Nothing – VFX Breakdown appeared first on Magiclab.

United States

Production: Lionsgate
Director: Rupert Sanders
DoP: Steve Annis

170 VFX shots of mainly projected DMP extensions and CG water

Soulmates Eric Draven and Shelly Webster are brutally murdered. Given the chance to save his true love by sacrificing himself, Eric sets out to seek revenge, traversing the worlds of the living and the dead to put the wrong things right.

The post The Crow – VFX Breakdown appeared first on Magiclab.

Great Britain

Director: Tom Harper
DoP: George Steel, Ben Wilson
Editor: Mark Eckersley

 VFX

During World War II, Tommy Shelby returns to a bombed Birmingham and becomes involved in secret wartime missions based on true events, facing new threats as he reckons with his past and rising national stakes.

The post Peaky Blinders: The Immortal Man – Trailer appeared first on Magiclab.

Great Britain

Director: Tom Harper
DoP: George Steel, Ben Wilson
Editor: Mark Eckersley
VFX Producer: Lisa Renney
VFX Supervisor: Theo Demiris

 VFX

During World War II, Tommy Shelby returns to a bombed Birmingham and becomes involved in secret wartime missions based on true events, facing new threats as he reckons with his past and rising national stakes.

The post Peaky Blinders: The Immortal Man – VFX Breakdown appeared first on Magiclab.

Production: Aurum Films
Produced for: Netflix
Director: Maciej Barczewski
DoP: Cezary Stolecki

VFX with 250 shots, highlights superpowers such as antigravity and electricity. The climactic scene shows a massive dam being destroyed.

A teenager finds herself being pursued by the military after she discovers she can manipulate gravity.

The post Supersisters – VFX Breakdown appeared first on Magiclab.

Czech Republic / France / Slovakia

Director: Kristina Dufková
Producers: Matej Chlupacek, Marc Faye, Agata Novinski
Co-producers: Magic Lab, Czech television, RTVS

DI, Color Grading, VFX (900 shots)

A 12 year-old boy was bullied for his weight and he tries to turn things around by dieting and attempting to win over the girl of his dreams.

The post Living Large – Trailer appeared first on Magiclab.

Czech Republic / Slovakia / Poland / Serbia

Producer: Jan Kallista
Director: Robert Hloz
DoP: Filip Marek
Editor: Jaroslaw Kaminski

DI / Color Grading / VFX (CG and DMP projections, heavy retouching work)

Set in Europe during 2038, a female detective investigates the case of a murdered couple where a restoration team is able to bring one of them back to life.

The post Restore Point – VFX Breakdown appeared first on Magiclab.

United States

Production: Lionsgate
Director: Rupert Sanders
DoP: Steve Annis

170 VFX shots of mainly projected DMP extensions

Soulmates Eric Draven and Shelly Webster are brutally murdered. Given the chance to save his true love by sacrificing himself, Eric sets out to seek revenge, traversing the worlds of the living and the dead to put the wrong things right.

The post The Crow – Trailer appeared first on Magiclab.

United States / United Kingdom

Production: Apple Studios, Marv Films
Director: Matthew Vaughn
DoP: George Richmond

Distributor: APPLE PLUS

VFX (CG and DMP extensions)

A reclusive author who writes espionage novels about a secret agent and a global spy syndicate realizes the plot of the new book she’s writing starts to mirror real-world events, in real time.

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